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July 12+13, 2019
Pier 4 Park
Hamilton, ON
#BecauseBeer

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Shakey Graves

FRIDAY, JULY 12, 2019

Back in December 2017, Shakey Graves proclaimed on his Twitter page, “Next album. New sound. Sell your suspenders.” The tweet was tongue-in-cheek, but Alejandro Rose-Garcia, the Austin native who’s been plying his trade as Shakey Graves since 2007, was making a dead-serious point about his new album, Can’t Wake Up (Dualtone). This ambitious, audacious work heralds an artistic metamorphosis for the 30-year-old veteran, whose risk-taking in painting outside the lines has been rewarded tenfold. “This record is the most I’ve ever intentionally worked on a project, musically speaking, in terms of the scope of it and how much thought went into it,” he says. “It’s a dense album; there’s a lot of information going on.”

That is not a hyperbolic boast. From one moment to the next, Can’t Wake Up veers from the inevitable to the revelatory, its thirteen songs teeming with jarring musical and thematic collisions and thrillingly seamless intersections, gnarly psychological hornswoggles and ecstatic resolutions. Central to the prevailing sense of disorientation are the lead vocals, none of which is purely solo. Instead, each lead performance is shadowed by a queasy harmony or slightly out-of-sync unison part, giving the sense—especially on headphones—that these voices are emanating from inside the listener’s head. Newfound inspirations the Beatles and Harry Nilsson (“I could only deny the inevitable for so long,” he says of his belated immersion in the sacred texts) cohered around Rose-Garcia’s longtime touchstones, including Elliott Smith, Beck circa One Foot in the Grave, Broken Social Scene, Built to Spill and other indie bands of the 1990s and early oughts.

Can’t Wake Up is Alejandro/Shakey’s second official studio-album project—more official, in any case, than the several mostly solo odds-and-ends collections he’s been putting out through Bandcamp since his very first release, Roll the Bones, in 2011. It was his previous Dualtone album, 2014’s And the War Came, and centerpiece song “Dearly Departed” that lifted Shakey from hard-core cultdom to the elevated status of bona fide career artist.

Up to now, he’s been categorized as an Americana singer/songwriter, thanks to his traditionally rooted songs, fluent acoustic-guitar picking, Texas roots and the aforementioned cowboy hat. Indeed, Shakey was named Best Emerging Artist award at the 2015 Americana Music Awards. But that tag will undoubtedly be dismissed as restrictive and irrelevant once this righteously radical new album gets digested by critics and discerning listeners. Because Can’t Wake Up is an extreme example of what happens when a kid from an artistic family is encouraged to use his imagination from early childhood onward.

Photo: Danny Clinch

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